|Collection||Byzantine Research Fund|
Weir Schultz, Mr Robert
Barnsley, Mr Sidney Howard
|Scope and Content||Preliminary drawing of relief marble closure slabs.The slabs are decorated with crosses surrounded by rosettes, other floral and geometrical motifs and could be dated to the middle Byzantine period. The two slabs decorate the west end (north part) of the church.|
|Further information||Panagia Gorgoepikoos, which is also known as the Little Metropolis or Hagios Eleutherios, is an impressive tetrastyle cross-in-square church built of marble remarkable for the rich ornament of its exterior. Regular cloisonné masonry has partly been used only for the dome which is of the most perfect Athenian type. The lower part of the walls, up to the lever of the windows, displays high quality solid marble stone masonry. In contrast, ninety ancient Greek, Roman, early Christian and Byzantine reliefs, occasionally developed into continuous friezes, enliven the upper part of the marble walls of the building.
Crosses have been added to ‘christianize’ pagan sculpture. Ninth and tenth-century marble closure slabs have been incorporated into the friezes. In the absence of ornamental brickwork the church is difficult to date with precision. Manolis Chatzidakis associated its erection with Michael Choniates (1180-1204) the literate Athenian archbishop with the strong antiquarian interests.
The church rests on a slightly protruding crepidoma. Hence, it could be dated to the late 12th c. The original fresco decoration of the building, which was reproduced by Durand in a series of 19th c. drawings, is now lost. It has recently been suggested that Gorgoepikoos is not a Byzantine church (see: B. Kiilerick, ‘Making Sense of the Spolia in the Little Metropolis in Athens’, in Arte Medievale (2005:2), Associazione «Arte Medievale», Roma, p.95-114.).