BRF 01/01/04/162. Watercolour illustration of a mosaic of the head and torso of a saint. Beneath the image is written in pencil "4 St John Chrysostom". In the upper right corner there is a Byzantine Research Fund copyright stamp, with the original archive number written in. The original description in the catalogue reads: "Mosaics: St. Gregory the Wonder-worker, St. Basil, St. Nicholas, St. John Chrysostom."

BRF 01/01/04/174. Watercolour illustration of a circle with twelve haloed men, their heads towards the centre. In the lower left corner is the title in pencil "Dome over Bema in Church of St Luke of Stiris, Greece". There are further pencil annotations regarding to publication. In the upper left there is a Byzantine Research Fund copyright stamp. The remains of a former brown card frame are visible in the left corners. The original description in the catalogue reads: "Dome over bema."

BRF 01/01/04/175. Watercolour illustration of part of the walls and ceiling of a church, including mosaics and marble panelling. In the lower left corner is the title in pencil " Eastern apse + Semi Dome Church of Saint luke of Stiris Greece". In the lower right corner there is a Byzantine Research Fund copyright stamp, with the original archive number written in. The original description in the catalogue reads: "East apse and semi-dome."

BRF 01/01/04/168. Base with two watercolour illustrations attached. Between them a strip of paper has been pasted; at the bottom of this is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Mosaics: Archangel Gabriel; Theodore the Recruit."

BRF 01/01/04/168. Watercolour illustration of an angel holding a sign, named above and with bands of patterned decoration below. The original description in the catalogue reads: "Mosaics: Archangel Gabriel; Theodore the Recruit."

BRF 01/01/04/168. Watercolour illustration of a haloed man holding a spear, named above and with bands of patterned decoration below. The original description in the catalogue reads: "Mosaics: Archangel Gabriel; Theodore the Recruit."

BRF 01/01/04/166. Watercolour illustration of a haloed man holding a sword, named above and with bands of patterned decoration below. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. Some pencil annotation in the lower left. The remains of former brown card frame are visible in the lower left corner. The original description in the catalogue reads: "Mosaics: Saint Mercurius; Archangel Michael."

BRF 01/01/04/167. Watercolour illustration of an angel holding a sign, named above and with bands of patterned decoration below. The head, top of wings and torso of the angel are painted, but the rest of the body is sketched in pencil. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. Some pencil annotation in the lower left. The remains of former brown card frame are visible in the upper and right hand corners. The original description in the catalogue reads: "Mosaics: Saint Mercurius; Archangel Michael."

BRF 01/01/04/144. Watercolour illustration showing the ground plan of the church with floor decorations. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some pencil annotations relating to publication. Pasted on a brown baseboard. The original description in the catalogue reads: "Pavement of the Great Church."

BRF 01/01/04/145. Watercolour illustration of a patterned section of floor. The main section is pasted in the middle of a brown baseboard, while further parts have been attached to the top and bottom with stickers. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some pencil annotations relating to publication. The original description in the catalogue reads: "450-2. Pavement details."

BRF 01/01/04/146. Watercolour illustration of a patterned section of floor, pasted on a brown baseboard. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some pencil annotations relating to publication. The original description in the catalogue reads: "450-2. Pavement details."

BRF 01/01/04/149. Watercolour illustration of a patterned section of floor, pasted on a brown baseboard. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some pencil annotations relating to publication. The original description in the catalogue reads: "450-2. Pavement details."

BRF 01/01/04/122. Ink illustration showing various parts of iconostasis, each labelled with where they are from. Title at the top reads "Monastery of St. Luke of Stiris: Phocis"; title at the bottom reads "Details of iconostasis of Great Church." There is a scale bar in the upper left corner. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Iconostasis of the Great Church."

BRF 01/01/04/110. Ink illustration showing various parts of iconstasis, each labelled with where they are from. Title at the top reads "Monastery of St. Luke of Stiris: Phocis"; title at the bottom reads "Details of iconostasis of Great Church." There is a scale bar ito the centre right. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Iconostasis of the Small Church."

BRF 01/01/04/204. Watercolour illustration showing details of a floor, titled "Monastery of St. Luke of Stiris: Phocis" in the upper left and "Detail of central portion of pavement in small church" in upper right. In the lower centre is a scale of feet. There are marks in the corners and lower centre indicating it was once attached to something. The original description in the catalogue reads: "Pavement of the Small Church."

BRF 01/01/04/027. Ink illustration of patterned brickwork. Title at the top reads "Monastery of St. Luke of Stiris: Phocis"; title at the bottom reads "Details of brick ornamentation on external walls of small church." There is a scale bar to the lower left. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Details of brick work."

BRF 01/01/04/108. Ink illustration showing architectural details. Title at the top reads "Monastery of St. Luke of Stiris: Phocis"; title at the bottom reads "A detail of picture frames on piers dividing iconostasis of small church." In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Picture frames on piers dividing iconostasis in the Small Church."

BRF 01/01/04/090. Ink illustration showing architectural details. Title at the top reads "Monastery of St. Luke of Stiris: Phocis"; title at the bottom reads "Detail of Tympanum of west doorway of great church." In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "Tympanum of west doorway of the Great Church."

BRF 02/01/04/044. One mounted black and white photograph of the exterior of a church. The reverse reads "St Luke of Stiris in Phocis two churches ext. from East." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/047. One mounted black and white photograph of the exterior of two connected churches. The reverse reads "Two churches Ext from East." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/056. One mounted black and white photograph of the interior of a church. The reverse reads "Great Church Int looking N/W." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/059. One mounted black and white photograph of the interior of a church. The reverse reads "Great church Int looking N/E." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/068. One mounted black and white photograph of the interior of a church, focusing on a mosaic. The reverse reads "Great Church Mosaic in S/E pendentive Birth of Christ." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/073. One mounted black and white photograph of the interior of a church, focusing on a mosaic. The reverse reads “Great Church Mosaic in S/W pendentive Purification." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/043. One mounted black and white photograph of the exterior of a church. The reverse reads "Small church exterior from South showing junction with great church." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 02/01/04/053. One mounted black and white photograph of the interior of a church. The reverse reads "St Luke Int looking E." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 01/01/04/082. One black and white print showing the ground plan of a church with captions mounted on grey board. Title at bottom reads "Great church: iconographic plan." The original description in the catalogue reads: "Photographs of the monastery: exterior views: Great church, interior, looking north-west; interior, looking north-east; interior, from gallery, looking east. Mosaics in south-east pendentive; Birth of Christ. Mosaics in south-west pendentive; Purification. Small Church, exterior, south; interior, looking east."

BRF 01/01/01/134. Ink plan, titled in upper left "Attica: Monastery Church of Daphni" and below the plan "A plan of the church." "No.1." is written in the top right corner. There are two scale bars, one in feet and one in metres, at the bottom. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "465-8. Plans and Elevations: 465 Plan of the church."

BRF 01/01/01/135. Ink plan, titled in upper left "Attica: Monastery Church of Daphni" and below the plan "A plan of the galleries and roof." "No.2." is written in the top right corner. There are two scale bars, one in feet and one in metres, at the bottom. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There is some annotation in pencil at the bottom regarding preparation for publication. The original description in the catalogue reads: "465-8. Plans and Elevations: 466. Plan of the galleries."

BRF 01/01/01/160. Ink illustration of the elevation of a church, titled in the upper left "Monastery of Daphni: Attica" and below the illustration "East elevation of the chvrch." Below the lower title is a scale bar in feet. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "465-8. Plans and Elevations: 467. East Elevation."

BRF 01/01/01/162. Ink illustration of the elevation of a church, titled in the upper left "Monastery of Daphni: Attica" and below the illustration "South elevation of the chvrch." Below the lower title is are two scale bars, one in feet and one in metres. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "465-8. Plans and Elevations: 468. South Elevation."

BRF 01/01/14/066. Ink illustration showing an isometric view of a church. Titles in pencil in top left corner "Mistra: Church of Saints Theodore" and in the lower left "An isometric view of the church." "No.4" is written in the top right corner, and in the lower right corner is a scale bar in feet in three dimensions. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of SS. Theodore. - This church was built before 1296 and so is one of the earliest in the place. The plan centres round a great open square under the dome, like that of certain 11th century churches of Central Greece- the great Church of St. Luke in Phocis, St. Nicodemos (Panaghia Lycodemou) at Athens, and Daphni in Attica. Isometric view."

BRF 01/01/14/116. Two ink illustrations, the upper titled "North Elevation" and the lower titled "Section looking towards west end." In the top left corner is written in pencil "Mistra Church of S. Sophia." At the bottom are two scale bars, one in feet and one in metres. To the lower right of each image is a Byzantine Research Fund copyright stamp; the lower has the original archive number written in. The original description in the catalogue reads: "The Church of St. Sophia. - This church, now in ruin, belongs to the mid-14th century. The plan is the Greek Cross type, with the sanctuary impinging on the cross. 479. North Elevation: 480. Section, looking east."

BRF 01/01/14/051. Ink illustration of an isometric view of a church, finished in pencil. Title in pencil in top left reads "Mistra: Church of the Brontochiom (Efendiko)", and a second title on the right reads "Isometric view". "No. 7" is written in pencil in the top right hand corner. Towards the upper left is a scale bar in three dimensions in pencil. On the right is an upside down Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of the Efendiko (Monastery of the Brontochion). - This church was built before 1311. It is the earliest example of a type unique to Mistra, consisting of a basilica below a cruciform upper storey; the latter is in all cases of the Constantinople type, with a complete cross and a separate sanctuary; see above under Athens. Isometric view."

BRF 01/01/14/055. Two ink illustrations showing the elevation of a church, the upper titled "South elevation" and the lower "North elevation." "Mistra: Church of the Brontochion (Efendiko)" is written in pencil in the top left corner. At the bottom are two scale bars, one in feet and one in metres. To the lower right of each image is a Byzantine Research Fund copyright stamp; the lower has the original archive number written in. The original description in the catalogue reads: "The Church of the Efendiko (Monastery of the Brontochion). - This church was built before 1311. It is the earliest example of a type unique to Mistra, consisting of a basilica below a cruciform upper storey; the latter is in all cases of the Constantinople type, with a complete cross and a separate sanctuary; see above under Athens. 482. South Elevation. 483. North elevation."

BRF 01/01/14/083. Two ink illustrations showing the elevation of a church, the upper titled "South east elevation" and the lower "North west elevation." "Mistra: Church of St Demetrius" is written in pencil in the top left corner and "No 5" in the top right corner. At the bottom are two scale bars, one in feet and one in metres. To the lower right of each image is a Byzantine Research Fund copyright stamp; the lower has the original archive number written in. The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 484. South-east elevation. 485. North-west elevation."

BRF 01/01/14/079. Two ink illustrations showing the elevation of a church, the upper titled "South west elevation" and the lower "Section looking north east." "Mistra: Church of St Demetrius" is written in pencil in the top left corner. At the bottom are two scale bars, one in feet and one in metres. To the lower right is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some further annotations in pencil. The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 486. South-west elevation. 487. Section looking north-east."

BRF 01/01/14/070. Ink illustration showing the ground plan of a church, including some of the floor decoration, titled in the lower left corner "A Plan of the church." Written in pencil in the upper left corner is "Mistra Church of St Demetrius." At the bottom are two scale bars, one in feet and one in metres. To the lower right is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some further annotations in pencil. The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 488. Ground plan."

BRF 01/01/14/090. Ink illustration showing two arches with decoration. "Mistra: Church of St Demetrius" is written in pencil in the upper left corner, and "No 8" in the upper right. A scale bar is incorporated into the border. Below right of each arch is an upside-down Byzantine Research Fund copyright stamp; the rightmost has the original archive number written in. The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 489. Details of iconostasis."

BRF 01/01/14/085. Ink illlustration showingdifferent architectural details, with captions. In the top left corner is written in pencil "Mistra: The Church of St Demetrius", and in the top rigth "No 7".T he number 490 is pasted in the lower left corner. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some further annotations in pencil. The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 490. Details of bema."

BRF 02/01/14/024. One mounted black and white photograph of the interior of a church. The reverse reads "Mistra (Mertropolis)" and in another had "Interior looking east Agios Demetrios." The original description in the catalogue reads: "The Church of St. Demetrios (The Metropolis). - This church was built in 1310 as a basilica, but in deference to local fashion Pantanassa). The basilica is clearly based on earlier models. 491. Photographs: Exterior, east end; interior."

BRF 01/01/14/021. Ink illustration of an isometric view of a church, titled towards the upper right corner "Chvrch of the Pantanassa: Mistra." The number 492 is pasted in the lower left corner. There is a three dimensional scale bar in feet in the lower left corner, and in the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. "6.7" is written in pencil in the upper right corner, and there is an unclear annotation in pencil along the lower edge. The original description in the catalogue reads: "The Church of the Pantanassa. - This church, which still belongs to a Nunnery, was completed in 1446. It is of the same unusual type as the Efenfiko and the Metropolis. It is richly decorated with frescoes, partly contemporary, partly later. 492. Isometric section."

BRF 01/01/14/023. Ink illustration of an elevation of a church, tilted below "North Elevation". The number 493 is pasted in the lower left corner. In the upper left corner is written in pencil "Mistra: Church of the "Pantanassa"," and in the upper right corner is written "No 5". There are some other annotations in pencil near the lower edge. There is a scale in feet in the lower centre. In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of the Pantanassa. - This church, which still belongs to a Nunnery, was completed in 1446. It is of the same unusual type as the Efenfiko and the Metropolis. It is richly decorated with frescoes, partly contemporary, partly later. 493. North elevation."

BRF 02/01/14/010. One mounted black and white photograph of the exterior of a church. '238' in the lower right corner. The reverse reads "Mistra Pantanassa" and in a different hand "Ext. from North-east." The original description in the catalogue reads: "The Church of the Pantanassa. - This church, which still belongs to a Nunnery, was completed in 1446. It is of the same unusual type as the Efenfiko and the Metropolis. It is richly decorated with frescoes, partly contemporary, partly later. 494. Photographs: exterior from north-east; exterior west-end. Fresco in narthex: the portrait is identified as that of Manuel Lascaris Chatzikis."

BRF 02/01/14/011. One mounted black and white photograph of a fresco, showing a figure with chained hands with some writing to the lower right. The reverse reads "Mistra Pantanassa" and in another hand "Fresco in north ext." The original description in the catalogue reads: "The Church of the Pantanassa. - This church, which still belongs to a Nunnery, was completed in 1446. It is of the same unusual type as the Efenfiko and the Metropolis. It is richly decorated with frescoes, partly contemporary, partly later. 494. Photographs: exterior from north-east; exterior west-end. Fresco in narthex: the portrait is identified as that of Manuel Lascaris Chatzikis."

BRF 01/01/14/105. Ink illustration showing the elevation of a building on the left and a section and two plans on the right. "Mistra: Monastery of the Peribleptos: refectory" is written in pencil in the upper left corner, "No 4" in the upper right corner. The number 495 is pasted in the lower left corner. There are some further annotations in pencil along the lower edge. Between the two plans is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Monastery of the Peribleptos. - This church monastery dates from the early 14th century. 495. End of Refectory, exterior."

BRF 01/01/09/006. Watercolour illustration of the elevation of a church. Title in the top left "Church of S. Theodora: Arta", and title below illustration "East Elevation." In the upper right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. Two scale bars at bottom. The original description in the catalogue reads: "The Church of St. Theodora. - This building dates from the 15th century; it appears to be based on Macedonian models. 497-9. Elevations. 497. East."

BRF 01/01/09/005. Watercolour illustration of the elevation of a church. Title in the top left "Church of S. Theodora: Arta", and title below illustration "North Elevation." In the upper right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. Two scale bars at bottom. The original description in the catalogue reads: "The Church of St. Theodora. - This building dates from the 15th century; it appears to be based on Macedonian models. 497-9. Elevations. 498. North."

BRF 01/01/09/004. Watercolour illustration of the elevation of a church. Title in the top left "Church of S. Theodora: Arta", and title below illustration "West Elevation." In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. Two scale bars at bottom. The original description in the catalogue reads: "The Church of St. Theodora. - This building dates from the 15th century; it appears to be based on Macedonian models. 497-9. Elevations. 499. West."

Pencil illustration of a capital. In the lower left corner is written in pencil " ARTA Saint Theodora [...] 1890. On the right of the illustration is a note saying "see other side". In the lower right corner is an upside-down Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of St. Theodora. - This building dates from the 15th century; it appears to be based on Macedonian models". "500. Capital." This drawing is part of the Byzantine Research Fund Archive: BRF/1/1/9/7.