Katholikon - Mosaic decoration (arch of north door). The drawing is entitled in pencil: 'Church of Daphne near Athens'. Further annotation in [encil survives.

Katholikon - Mosaic decoration (arch of north door). Further annotation in pencil survives.

Katholikon - Mosaic decoration from freize of narthex. Coloured drawing wiht annotation in pencil.

Katholikon-Mosaic decoration.

Katholikon, narthex - Mosaic decoration. Further annotation survivres at the back of the drawing. The note: 'mosaic border - over entrance into church' survives in pencil at the back.

Katholikon-Mosaic decoration.

Katholikon, narthex - Mosaic decoration. Further annotation survives at the back fo the drawing. The note: 'mosaic border - over entrance from outside' survives in pencil at the back.

Katholikon, south transept - Mosaic decoration. Further annotation in pencil survives.

Katholikon, Mosaic decoration.

Katholikon, north transept - Mosaic decoration. The drawing is captioned as follows: 'Daphne, 1890, Mosaic in N. Transept'.

Katholikon, north transept - Mosaic decoration. Further annotation in pencil survives.

Katholikon - Mosaic decoration.

Katholikon, bema - Mosaic decoration. The drawing is captioned as follows: 'Daphne, 1890, Mosaic in Bema'.

Katholikon - Mosaic decoration. The Drawing depicts three of the images of the Prophets which decorate the dome. This is a preliminary drawing. A unfinished sketch depicting a priest inside a holy bema survives in pencil at the back.

Katholikon, nave (squinch) - Mosaic decoration. The drawing depicts the scene of the Annunciation which decorates the north-east squinch of the nave. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, narthex - Mosaic decoration. The drawing depicts parts of two of the scenes which decorate the narthex: of the Washing of the Feet and the Presentation of the Virgin. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave (squinch) - Mosaic decoration. The drawing depicts the scene of the Baptesm which decorates the South-West Squinch of the nave. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave (squinch) - Mosaic decoration. The drawing depicts the scene of the Transfiguration which decorates the North-West Squinch of the nave. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave (squinch) - Mosaic decoration. The drawing depicts the scene of the Nativity which decorates the North-East Squinch of the nave. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave - Mosaic decoration. The drawing depicts the scene of the Dormition which decorates the West wall of the nave. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, narthex - Mosaic decoration. The drawing depicts the scene of the Presentaton of the Virgin which decorates the east wall of the narthex. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, bema - Mosaic. The drawing depicts the image of Archangel Michael which decorates the north conch of the bema. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave (dome) - Mosaic decoration. The drawing depicts the Head of Prophet Ezekiel which decorates the dome. This is a preliminary drawing. Further annotation in pencil survives.

Katholikon, nave (dome) - Mosaic decoration. The drawing depicts part (the upper body) of Prophet Ezekiel which decorates the dome. This is a preliminary drawing. Further annotation in pencil survives. Partly revised colour drawing.

Katholikon, nave (dome) - Mosaic decoration. The drawing depicts the image of Prophet Sophonias which decorates the dome. This is a printed colour proof of an original drawing. Writing survives on the back.

Katholikon, bema - Marble wall revetment. This is a preliminary drawing. Further annotation in pencil survives. Various sketches of unknown buildings survive in pencil on the back.

Katholikon, bema (east apse) - Marble wall revetment. This is a preliminary drawing. Further annotation in pencil survives. Partly revised, annotated coloured drawing.

Katholikon, bema - East apse. The drawing depicts the decoration of the East Apse of the katholikon (marble revetment and mosaics). This is a preliminary drawing.

Katholikon, bema - East apse. The drawing depicts the decoration of the east apse of the katholikon (marble revetment and mosaics). This is a preliminary drawing. Further annotation in pencil survives.

Ground plan and marble jambs. The drawing is numbered as follows: 'Attica : No 1'. It is entitled in pencil: 'Attica: Monastery - Church of Kaisariani'. Furher annotation in ink and pencil survives.

Ground plan. The drawing is entitled: 'Church at Kaesariani: Attica'.

Transverse section. The drawing is entitled: 'Church at Kaesariani' 'Transverse Section'.

Trasverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. They are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. The drawing is numbered as follows: 'Attica No 2'. It is entitled in pencil: 'Attica Monastery Church of Kaesariani'. A caption at the bottom reads: 'Church at Kaesariane'. Further annotation in ink and pencil survives.

Longitudinal section. The drawing is entitled: 'Church at Kaisariani: Attica', 'Longitudinal Section'.

Part of transverse section with iconography. The drawing depicts parts of the iconographic program in the dome and the holy bema. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. Further annotation in pencil survives.

Transverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes.. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. This is a preliminary drawing.

East elevation. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The drawing is entitled: 'Church at Kaesariani' 'East Elevation'.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is numbered as follows: 'Attica No 7'. It is captioned: 'North Elevation' and 'Church at Kaesariani'. Further annotation in ink survives.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is entitled: 'Church at Kaesariani' 'The North Elevation'.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. The drawing is numbered as follows: 'Attica No -'. It is captioned: 'Church at Kaisariane'. Further annotation in pencil survives.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. This is a preliminary drawing. The word 'Kaisariani' appears in the right-hand corner.

East elevation (detail) - The bema window. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The Drawing depicts the bema window of the church. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The drawing is captioned as follows: 'Church at Caesariani'. Further annotation in pencil survives.

Bema window and closure slab. The drawing depicts the bema window of the church and a marble closure slab. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The slab is decorated with foliate and geometrical patterns. Further annotation in pencil survives.

Ground plan. This is a preliminary drawing. Further annotation in pencil survives.

Section of the floor pavement in front of the holy bema (mosaic-marble opus sectile). Further annotation in pencil survives.

Plan of the crypt (left) - Ground plan of the naos (right). The drawing is entitled in ink:'Monastery of St Nicolas near Skripou Boeotia'. It is labelled in ink: 'Plan of Crypt' and 'Plan'.

Plan of the naos. This is a preliminary drawing. It is labelled in ink: 'Monastery Church of St Nicholas Scripou'. Further annotation in ink and pencil survives.

Plan of the crypt. This is a preliminary drawing. Further annotation in pencil survives.

Cross section (left) - Longitudinal section (right). The drawing is entitled in ink: 'Monastery of St Nicolas near Skripou Boeotia'. It is labelled in ink:'Section on Line A-A' and 'Section on Line B-B'.

Cross section. This is a preliminary drawing. It has been cancelled (crossed out).