Please note that there might currently be restricted access to some unpublished items
Detail of mosaic in the dome of Baptistery. The drawing is initialed (SHB)) and dated in pencil in the right-hand corner. Further annotation in pencil survives.
Plan of pulpit. This is a preliminary drawing. It is dated in ink in the middle. Further annotation in ink survives.
Plan of upper pulpit. This is a preliminary drawing. It is dated in ink in the middle. Further annotation in ink survives.
Front elevation of the pulpit. The drawing is dated in pencil in the upper left-hand corner.
Side elevation of the pulpit. The drawing is dated in pencil in the upper left-hand corner. It is initialed (SHB) in pencil in the lower right-hand corner.
Detail of marble revetment in pulpit. The drawing is dated in pencil in the lower right-hand corner.
Elevation. This is a preliminary drawing. It is dated in pencil in the lower left-hand corner.
Elevation of tympanum. This is a preliminary drawing.
Study of nave (the roof). This is a preliminary drawing. It is labelled, initialed (RWS) and dated in pencil in the lower right-hand corner.
Font. The drawing is labelled, dated and initialed (R.W.S.) in pencil in the lower right-hand corner.
Bapistery-Florence. Detail of opus sectile on the pavement. This is a preliminary drawing. It is dated and labelled in pencil in the lower right-hand corner. "Oct. 3-4.88"
Elevations-Plans. The drawing is entitled in ink: 'San Lorenzo Florence. Plans etc of the Singing Gallery'. It is labelled in ink:'1/2 Plan of the upper part'., '1/2 Plan showing brackets @ soffit', 'End'. It is initialed (RWS) and dated in ink in the lower right-hand corner.
Elevation of the singing gallery. The drawing is labelled in ink:'San Lorenzo Florence. Singing Gallery. Attributed to Donatello. Inlays are of glass painted on back'. It is initialed (RWS) and dated in ink in the lower right-hand corner.
Elevation (interior). This is a preliminary drawing. It is annotated in pencil.
Elevation of inlaid marble screen. This is a preliminary drawing. It is dated and labelled in pencil in the lower right-hand corner.
Elevation (interior). This is a preliminary drawing. It is dated in pencil in the lower right-hand corner.
Elevation of the pulpit.(front side). This is a preliminary drawing. It is dated in pencil in the lower right-hand corner.
Side elevation of the pulpit. This is a preliminary drawing.It is labelled in pencil at the bottom.
Detail of sculpture of the pulpit. The drawing is labelled in pencil at the bottom.
Elevation of the doorway. This is a preliminary drawing. It is labelled, initialed (RWS) and dated in pencil in the lower right-hand corner.
Measurments of pulpit. This is a preliminary drawing. It is annotated in pencil.
Elevation and plan of the pulpit. This is a preliminary drawing. It is annotated and dated in pencil at the lower right-hand corner.
Detail of marble revetment. The drawing is initialed (RWS) and dated in pencil in the lower right-hand corner.
Details of mosaic ceilings. The drawing is annotated in ink.
Elevation of pulpit. The drawing is initialed (RWS) and dated in pencil at the bottom.
Details of sculpture and architectural members. This is a preliminary drawing. It is dated and annotated in pencil on both sides. The unfinished drawing of an elevation of the interior colonnade of the church survives on the reverse. It is initialed (RWS) in pencil.
Plan and elevations of the ambo and the pulpit. This is a preliminary drawing. It is labelled, initialed (RWS) and dated in pencil at the bottom. Further annotation in pencil survives. Unfinished sketches of the pulpit of the church survive on the reverse.
Carved statues. The drawing is dated and initialed (SHB) in pencil in the lower right-hand corner.
Christ from the Last Judgement. The drawing is dated and initialed (SHB) in pencil in the lower right-hand corner.
South façade, west end (detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
East façade, south part (detail of the marble frieze). Furher annotation in pencil survives on the back of the photograph.
West façade (north end, detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
West façade (south end, detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
North façade (west end, detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
North façade (east end- detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
View from south. Furher annotation in pencil survives at the back of the photograph.
South gable. Furher annotation in pencil survives at the back of the photograph.
View from north-east. Furher annotation in pencil survives at the back of the photograph.
East façade (detail of the main apse with view of the roof). Furher annotation in pencil survives at the back of the photograph.
View from the north (north façade). This is a photograph of the Hagioi Apostoloi church before restoration. A note survives at the back: 'Agios Apostoloi, Athens (Church of the Holy Apostles), NortH.S.ide 1890.
View from west. (west façade). Noteworthy is the street-level. A note at the back reads: 'Kapnikarea Church - View from West'. Furher annotation in pencil survives.
View from south-west. Noteworthy is the street-level. Furher annotation in pencil survives at the back of the photograph.
View from south-east. Noteworthy is the street-level. Furher annotation in pencil survives at the back of the photograph.
West gable. Furher annotation in pencil survives at the back of the photograph.
East façade (detail of the marble frieze that surrounds the main apse-central part). Furher annotation in pencil survives at the back of the photograph.
East façade, south part (detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
East façade, north part (detail of the marble frieze). Furher annotation in pencil survives at the back of the photograph.
View of the roof and the dome from the west. A note at the back of the photograph reads: 'Athens, The Russian Church'.
View of the church from south-east. A note at the back of the photograph reads: 'Panagia Lykodemou, Athens', 'View from South-East'. Further annotation in pencil survives.
View from the east (east façade). A note at the back of the photograph reads: 'Panagia Lykodemou, Athens', 'East End'. Further annotation in pencil survives.