Close view of south window. The photograph is annotated in pancil at the back.

Upper row: Longitudinal section, Cross section, West elevation. Lower row: Ground plan. The drawing is entitled in ink: 'The Church of Sta Sophia at Andravida in Elis Greece'. It is labelled In ink: 'Long Section', 'Cross Section', 'West Elevation'. Further annotation in ink survives.

Sketches, Sections and Plans of various architectural members and parts of the building. The drawing is entitled in ink: 'The Church of Sta Sophia at Andravida in Elis Greece'. Further annotation in ink survives.

Upper rwo: Longitudinal section (left) - Cross section. The drawing is entitled in ink: 'The Monastery of Blachernai Elis Greece'. It is labelled in ink: 'Long Section', 'Section across Narthex', 'Plan', 'Plan over Narthex', 'Cross Section'.

Details of the narthex door, the roof, capitals, cornices, sculpture and masonry. The drawing is entitled in ink: 'The Monastery of Blachernai Elis Greece'. It is labelled in ink: 'Door on North Side over the Narthex', 'Detail of Jmb and Arch', 'SE Angle of Narthex Roof', 'SE Angle of Sanctuary Roof', 'Roundel in an Arch Spandril on the West Front', 'Sill Course at East End made up of Fragments', 'Cornice to the Nave', ' NE Angle of Narthex Roof', 'Masonry Details from the East End and North Side', 'Nave Capital', 'Narthex Capital'.

Upper row: Cross section to east, Longitudinal section, East end - Lower row: Ground plan, North side, West end. The drawing is entitled in ink: 'Hagios Nikolaos Isova Greece'. It is labelled in ink: 'Cross Section to East', 'Longitudinal Section to North', 'East End', 'Plan', 'North Side', 'West End'. Further anntotation in ink survives.

Upper row: 'Cross Section', 'Longitudinal Section', 'East Façade', 'Ground Plan', 'North Side', 'West End'. The drawing is entitled in ink: 'Hagios Nikolaos Isova Greece' - 'Restoration'. It is labelled in ink: 'Cross Section to East', 'Longitudinal Section to North', 'East End', 'Plan', 'North Side', 'West End'.

Ground plan. Final ink drawing labelled:'Hagia Paraskeve Chalkis'. Further annotation in pencil survives.

Ground plan. Pencil tracing of drawing 01/01/03/001. The drawing bears a note in pencil in the lower right-hand corner stating: "Traced from R. Traquair drawing 6/2/21" .

Details of the castle and of armorial bearings in the church of Hagios Georgios. The drawing is labelled in ink: 'St George Geranki - Coat of Arms', 'Geraki - Huchette on South Wall', 'Geraki - Battlements on South Wall', 'Huchette Restored'. It is signed in ink: RT 1906.

South façade. The drawing is annotated in ink. It has been misnumbered in pencil: 'Monemvasia 18'. On the back: Hellenic Society label with the note: 'Lakonia, Medieval Churches: H. Georgios Kitta from the S, BSA XV p. 189, fig. 3a, R. Traquair'.

Taxiarches, Areopolis (left): Detail of the vaulting - Hagios Nikolaos, Platza (right, on the top): North façade, Plan of the dome - Taxiarches (Hagioi Asomatoi), Kouloumi (right, at the bottom): Carved panels from the iconostasis. The drawing is labelled in ink: 'Sketches from Mani'. It is numbered in pencil: 'Plate III'. On the back: Hellenic Society label with the note: 'Lakonia, Medieval Churches: Sketches from Mani from the S, BSA XV p. 182, fig. 2, R. Traquair'. It has been misnumbered in pencil: 'Monemvasia 19'.

North-east view. The drawing is labelled in ink: 'Areopolis, Hagios Taxiarchos'. It is dated in ink (1909). On the back: Hellenic Society label with the note: 'Lakonia, Medieval Churches: H. Taxiarches, Areopolis, BSA XV p. 189, fig. 3b, R. Traquair'. The name of the church has been mispelled.

Hagia Sophia: Longitudinal section, plan - Hagioi Theodoroi: Plan. The drawing is entitled in ink: 'Hagia Sophia Koutiphari', 'Ruined Church near Hagios Theodoros Prasteion'. It is labelled in ink. On the back: Hellenic Society label with the note: 'Lakonia, Medieval Churches: H. Sophia at Koutiphari - H. Theodoros at Prasteion, BSA XV p. 195, fig. 5, R. Traquair'.

Asomatos, Kakovouno: Part of the iconostasis - Hagioi Theodoroi, Vamvaka: Window of south-east apse - Hagios Georgios, Kitta: Column - Hai-Strategos, Boularioi: Details of the iconostasis - Hagios Nikolaos, Ochia: Guilloche pattern from the west front. The drawing is entitled in ink: 'Lower Mani, Details'. It is annotated in ink. On the back: Hellenic Society label with the note: 'Lakonia, Medieval Churches: Churches of W. Mani: Details of Decoration, BSA XV pl. XVI, R. Traquair'. The drawing is misnumbered in pencil: 'Monemvasia 20'.

South side (detail). Further annotation in pencil survives at the back of the photograph.

North side. Further annotation in pencil survives at the back of the photograph.

View from the north-east. Further annotation in pencil survives at the back of the photograph.

View of the interior. Further annotation in pencil survives at the back of the photograph.

View of the interior from the gallery. Further annotation in pencil survives at the back of the photograph.

View of the interior. Further annotation in pencil survives at the back of the photograph.

Central chapel: Piscina. Further annotation in pencil survives at the back of the photograph.

Central church: Column outside west end. The capital in the nave have been reused from an early-Byzantine basilica and date to the 5th century. Further annotation in pencil survives at the back of the photograph.

Upper row: 'Longitudinal Section' (right) - 'North Elevation' (left). Lower row: 'Ground Plan' (right) - East elevation (left). Fragments of the iconostasis (upper right corner) - Brick ornaments (lower right corner). The drawing is entitled: 'The Church of the Transfiguration, Salona, Greece'. A note (R. Traquair drawing) survives in the lower right hand corner. Further annotation in ink survives.

Plan. This is a preliminary drawing. It is annotated in pencil.

Elevations. This is a preliminary drawing. It is annotated in pencil.

Plan. The drawing is entitled in ink: 'S. John the Baptest of the Stoudion'. It is initaled (RT) and dated in ink in the lower right-hand corner. It is annotated in ink.

Upper part by R. Traquair: Narthex elevation - Lower part by W. S. George: Longitudinal section (western part of nave), Half cross-section looking west. The drawing is entitled in ink: 'S. John of the Stoudion'. It is signed (R. Traquair and W.S. George) in ink. It is labelled in ink: 'Elevation of the Narthex' and ' Lognitudinal Section of Western Portion of Nave (restored) Half Cross Section Looking West (restored)'. It is annotated in ink.

Elevation and section of suggested restoration. The drawing is labelled in ink: 'Suggetsed Restoration'. It is initialed and dated in ink (RT) in the lower right-hand corner. It is annotated in ink.

Plans and sections of architectural members (details). The drawing is labelled in ink: 'S. John of the Studion Details of Doors From drawings by A.E. Henderson'. It is initialed and dated in ink (RT) in the lower right-hand corner. It is annotated in ink.

North side. Further annotation in pencil survives at the back of the photograph.

South side. Further annotation in pencil survives at the back of the photograph.

View from south-west. Further annotation in pencil survives at the back of the photograph.

West façade. Further annotation in pencil survives at the back of the photograph.

Central vault over east end. Further annotation in pencil survives at the back of the photograph.

Piscina (?) in the main church. Further annotation in pencil survives at the back of the photograph.

Piscina (?) in the south chapel. Further annotation in pencil survives at the back of the photograph.

West façade. Further annotation in pencil survives at the back of the photograph.

South façade. Further annotation in pencil survives at the back of the photograph.

Window on south side (close view). Further annotation in pencil survives at the back of the photograph.

North-west view. Further annotation in pencil survives at the back of the photograph.

West façade - Door to first floor. Further annotation in pencil survives at the back of the photograph.

East façade. Further annotation in pencil survives at the back of the photograph.

Interior view of the narthex. Further annotation in pencil survives at the back of the photograph.

Capital in the narthex. Further annotation in pencil survives at the back of the photograph.

View of the interior looking east. Further annotation in pencil survives at the back of the photograph.

South-west view. Further annotation in pencil survives at the back of the photograph.

View from the east. Further annotation in pencil survives at the back of the photograph.

Interior view: the dome. Further annotation in pencil survives at the back of the photograph.

View from south-east. Further annotation in pencil survives at the back of the photograph.