North wall of nave: Mosaics by the windows. The photograph is annotated in pencil at the back. See also photos nos. 02/14/01/04(BRFno. 02/03/01/079) and 02/14/02/02 (BRFno. 02/03/01/081).

North wall of nave: Mosaics by the windows. The photograph is annotated in pencil at the back. See also photos nos. 02/14/02/01(BRFno. 02/03/01/080) and 02/14/01/04 (BRFno. 02/03/01/079).

North wall of nave: Mosaics by the windows. The photograph is annotated in pencil at the back. See also photo no. 02/14/02/04 (BRFno. 02/03/01/083).

North wall of nave: Mosaics by the windows. The photograph is annotated in pencil at the back. See also photo no. 02/14/02/03 (BRFno. 02/03/01/082).

Furniture (old reading desk) and Metalwork (candelsticks) in the church. The photograph is annotated and dated in ink at the back: 'OLD READING DESK + CANDLESTICKS BETHLEHEM. 1908'. Further annotation in pencil survives. See also photos nos. 02/14/03/02 (BRFno.02/03/01/085) and 02/14/03/03 (BRFno 02/03/01/086).

Furniture (old reading desk) and Metalwork (candelsticks) in the church. The photograph is annotated in pencil at the back. Further annotation in pencil survives. See also photos nos. 02/14/03/01 (BRFno.02/03/01/084) and 02/14/03/03 (BRFno 02/03/01/086).

Furniture (old reading desk) and Metalwork (candelsticks) in the church. The photograph is annotated in pencil at the back. Further annotation in pencil survives. See also photos nos. 02/14/03/01 (BRFno.02/03/01/084) and 02/14/03/02 (BRFno 02/03/01/085).

Carved wooden narthex doors to basilica. The photograph is annotated and dated in ink at the back: 'CARVED WOODEN DOORS FROM NARTHEX TO BASILICA BETHLEHEM. 1909'. Further annotation in pencil survives. See also photo no. 02/14/04/01 (BRFno 02/03/01/088).

Carved wooden narthex doors to basilica. The photograph is annotated and dated in ink at the back: 'CARVED WOODEN DOORS FROM NARTHEX TO NAVE OF BASILICA OF THE NATIVITY BETHLEHEM. 1909'. Further annotation in pencil survives. See also photo no. 02/14/03/04 (BRFno 02/03/01/087).

Main entrance door. The photograph is annotated in ink at the back: 'MAIN ENTRANCE DOOR BETHLEHEM (fragment of cornice peeping from Armenian wall indicate pos. of small door). Further annotation in ink and pencil survives.

View of the mosaic decoration- East wall, North trancept, (Christological scene- The Incredibility of Thomas) .

Column with carved capital and fresco decoration.

Part of mosaic decoration in the aisles (the Councils?). Duplicate print exists. Oversize prints.

Part of mosaic decoration in the aisles, south wall of nave (the Councils?). Duplicate print exists. Oversize prints.

Part of mosaic decoration in the aisles (the Councils?). Duplicate print exists. Oversize prints.

Part of mosaic decoration in the aisles with a narrative scene. Duplicate print exists with annotation on back 'not published' etc. Oversize prints.

East apse of Greek choir of the basilica. The photograph is dated and annotated in ink at the back: 'EAST PASE OF GREEK CHOIR OF BASILICA + GREEK CONVENT. 1908'.

North apse and medieval countrefort. The photograph is dated and annotated in ink at the back: 'NORTH APSE + MEDIEVAL COUNTRE FORT (OF OLD LATIN CHURCH PROBABLY) 1908'.

South apse of the basilica from the Greek tower. The photograph is dated and annotated in ink at the back: 'S. APSE BASILICA BETHLEHEM FROM GREEK TOWER 1908'.

Wooden-carved model of the church in the British Museum.

Wooden-carved model of the church in the British Museum.

Part of mosaic decoration in the aisles (the Councils?). Duplicate print exists. Oversize prints.

View of the city with the Dome of the Rock. The photograph is annotated in pencil at the back.

Interior of the kiosk at the Rock. The photograph is annotated in pencil at the back.

Interior of the kiosk at the Rock. The photograph is annotated in pencil at the back.

Façade of a mosque (Al Aqsa Mosque?) at the Rock. The photograph is annotated in pencil at the back.

Distant view of the Holy Sepulchre(?). The photograph is annotated in pencil at the back.

BRF 01/01/12/030. Three ink illustrations on a single page of the elevations of a church. Title in top left corner reads "Argolis: Chonika. Church of the "Koimesis"." "No 3" is written in ink in the top right corner. The illustrations are titled "west elevation" and "east elevation" on the top row, and "north elevation" on the bottom row. Below the lower illustration are two scale bars, one in feet and one in metres. To the right of these is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of the Koimesis (Dormition) at Chonika. - This building is dated by Megaw to the first quarter of the 12th century. Elevations: West, east and north."

BRF 01/01/12/046. Eight ink illustrations of the elevations of a church on a single page. Title in top left corner reads "Argolis: Ligourio. Church of St Chysostom." "No 1" is written in ink in the top right corner. The illustrations are labelled as follows: upper row: "South elevation", "North elevation"; middle row: "Cross section looking east", "East elevation", "West elevation"," Section thro narthex looking east"; lower row: "Longitudinal section"," Plan of church". In the lower right corner is a Byzantine Research Fund copyright stamp with the original archive number written in. There are some annotations in pencil regarding preparation for publication. The original description in the catalogue reads: "The Church of St Chyrsostom at Ligourio. - This building is dated by Megaw to the last quarter of the 11th century, and so is contemporary with Daphni and Kaisariani. Elevations, section and plan."

BRF 01/01/12/003. Two ink illustrations on a single page, showing a section and plan of a church. Title in top left corner reads "Argolis: Merbaka. Church of the "Panaghia"." "No 1" is written in pencil in the top right corner. The upper illustration is titled beneath in pencil "Longitudinal section"; the lower "A plan of the church". To the lower right of each image is is a Byzantine Research Fund copyright stamp; the lower of these has the original archive number written in. There are unfinished scale bars, one of feet and one of metres, drawn in pencil at the bottom, and some further annotations in pencil visible on the right edge. The original description in the catalogue reads: "The Church of the Panaghia at Merbaka. - This building is dated by Megaw to the last quarter of the 12th century. Plan and sections."

BRF 01/01/12/015. Three ink illustrations on a single page of the elevations of a church. Title in top left corner reads "Argolis: Merbaka. Church of the Panaghia." "No 3" is written in ink in the top right corner. The illustrations are titled "west elevation" and "east elevation" on the top row, and "north elevation" on the bottom row. Below the lower illustration are two scale bars, one in feet and one in metres. To the right of these is a Byzantine Research Fund copyright stamp with the original archive number written in. There are three other stamps without the number written in: in the upper and lower centre and in the top right corner. There are some other annotations in pencil. The original description in the catalogue reads: "The Church of the Panaghia at Merbaka. - This building is dated by Megaw to the last quarter of the 12th century. Elevations."

BRF 01/01/07/100. Watercolour painting on board showing the mosaic in a semi-dome of a church, of the Enthroned Virgin with Child. "No 1." is written in gold in the lower left corner and W.H. 1908" in the lower right. The original description in the catalogue reads: "The Church of St. Sophia. - 530-33. Mosaics: 530, of the semi-dome."

BRF 01/01/07/098. Watercolouring painting on board showing the Ascension. "4" is written in gold in the lower left corner and "1908" in the lower right. In the lower right corner above the writing is a sideways Byzantine Research Fund copyright stamp with the original archive number written in. There are remains of a former brown card base visible in the corners and uper centre. The original description in the catalogue reads: "The Church of St. Sophia. - 530-33. Mosaics: 531, Central detail of dome."

BRF 01/01/07/091. Watercolour painting on board showing a circle with the ascension in the centre and fifteen figures standing around the edges, divided by plants. "No 2." is written in gold in the lower left corner and W.H. 1908" in the lower right. In the lower right is a Byzantine Research Fund copyright stamp with the original archive number written in. The original description in the catalogue reads: "The Church of St. Sophia. - 530-33. Mosaics: 532, Mosaics of dome."

BRF 01/01/07/095. Watercolour painting on board showing three figures standing on a curved surface with plants between them and writing above - a detail form the dome. "No 3." is written in gold in the lower left corner and W.H. 1908" in the lower right. The original description in the catalogue reads: "The Church of St. Sophia. - 530-33. Mosaics: 553 [sic], Detail of dome."