Trasverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. They are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. The drawing is numbered as follows: 'Attica No 2'. It is entitled in pencil: 'Attica Monastery Church of Kaesariani'. A caption at the bottom reads: 'Church at Kaesariane'. Further annotation in ink and pencil survives.

Longitudinal section. The drawing is entitled: 'Church at Kaisariani: Attica', 'Longitudinal Section'.

Part of transverse section with iconography. The drawing depicts parts of the iconographic program in the dome and the holy bema. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. Further annotation in pencil survives.

Transverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes.. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. This is a preliminary drawing.

East elevation. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The drawing is entitled: 'Church at Kaesariani' 'East Elevation'.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is entitled: 'Church at Kaesariani' 'The North Elevation'.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is numbered as follows: 'Attica No 7'. It is captioned: 'North Elevation' and 'Church at Kaesariani'. Further annotation in ink survives.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. The drawing is numbered as follows: 'Attica No -'. It is captioned: 'Church at Kaisariane'. Further annotation in pencil survives.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. This is a preliminary drawing. The word 'Kaisariani' appears in the right-hand corner.

East elevation (detail) - The bema window. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The Drawing depicts the bema window of the church. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The drawing is captioned as follows: 'Church at Caesariani'. Further annotation in pencil survives.

Bema window and closure slab. The drawing depicts the bema window of the church and a marble closure slab. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The slab is decorated with foliate and geometrical patterns. Further annotation in pencil survives.

East elevation. The drawing is entitled: 'Church at Omorphi - Attica', 'East End'.

East elevation (left) - North elevation (right). This is a preliminary drawing.

North elevation. This is a preliminary drawing.

Low relief marble closure slab. Now in Byzantine Museum Athens. The drawing is annotated in pencil: 'Athens Museum?'. See also drawing no.BRF 01/01/01/242

Parts of relief marble closure slabs. Now in Byzantine Museum Athens. See also drawings nos. BRF 01/01/01/242 and BRF 01/01/01/239

Relief marble closure slabs.Now in Byzantine Museum Athens. See also drawing no. BRF 01/01/01/242

Relief marble closure slabs. Now in Byzantine Museum Athens. This is a preliminary drawing. It is annotated in pencil. See also drawing no BRF 01/01/01/241

Relief heraldic slab. Now in Byzantine Museum Athens. The drawing is annotated in pencil.

Preliminary drawing of relief marble closure slabs.The slabs are decorated with crosses surrounded by rosettes, other floral and geometrical motifs and could be dated to the middle Byzantine period. The two slabs decorate the west end (north part) of the church.

Sections of marble epistyles, capitals, pilasters. Now in Byzantine Museum Athens. This is a preliminary drawing. It is annotated in pencil.

Parts of relief marble closure slabs. Now in Byzantine Museum Athens This is a preliminary drawing. It is anotated in pencil. See also drawings nos. BRF 01/01/01/233 and BRF 01/01/01/242

Relief marble closure slab. Now in Byzantine Musuem Athens. This is a preliminary drawing. It is annotated in pencil.

Preliminary drawing of Relief marble closure slabs - Lintel with relief decoration. Now in Byzantine Museum Athens. Further annotation in pencil survives. See also drawing no.BRF 01/01/01/235

Sections of relief marble closure slabs. Now in Byzantine Museum Athens This is a preliminary drawing. It is annotated in pencil. See also drawings nos. BRF 01/01/01/232, BRF 01/01/01/233, and BRF 01/01/01/234.

Sections of relief (closure?) slabs. This is a preliminary drawing. It is labelled in pencil:' Asomaton Monastery". Further annotation in pencil survives.

Sections of vaults and a plan of a soffit. Further annotation in ink survives.

South elevation. This is a preliminary drawing. Further annotation in pencil survives.

Ground plan. The drawing is entitled: 'Plan of a later Greek Church'. Further annotation in ink and pencil survives.

Elevation of dome. The drawing is captioned as follows: 'Elevation of Dome No 2 Type'.

Plan of dome. The drawing is captioned as follows: 'Plan of Dome no 2 Type'.

Plan of dome. The drawing is captioned as follows: 'Plan of Dome no 1 Type'.

Elevation of window. This is a preliminary drawing.

Elevations of windows. The windows belong to Byzantine churches in Athens such as the Hagioi Theodoroi in Klafthmonos square (bottom, right) and the Panagia Kapnikarea (bottom, left) church. Further annotaion in pencil survives.

Window elevations of Byzantine churches in Athens The churches which are represented include: the Hagioi Theodoroi in Klafthmonos square church (top, left-hand corner), the Panagia Kapnikarea (top, right-hand corner), Soteira Lykodemou (bottom, left-hand corner) and the Hagioi Apostoloi tou Solaki (bottom, right-hand corner) church. The drawing is entitled: 'Series of windows from the Byzantine Churches in Athens'. Further annotation in ink survives.

Clockwise from top left: Hagioi Asomatoi at Theseion (Ground plan, South-east elevation), the Taxiarches church (West elevation, East elevation, Ground plan, Longitudinal section), capital from an unidentified Athenian church. Further annotation in ink survives.

Clockwise from top left: Ground plan, West elevation of the church of Hagios Philippos, Ground plan, West elevation, North-east elevation of Megalo Monastiri, West elevation, Transverse section, Ground plan, Longitudinal section of the church of Hagios Ioannis ho Prodromos, Dome plan, Architectural members (mouldings) and Dome elevation of the Panagia church. Further annotation in ink survives.

Clockwise from top left: Ground plan of Soteira Lykodemou, Ground plan of the Greek-cross type, Side elevation of the Greek-cross type, Ground plan of the Megalo Monastiri, Ground plan of Hagioi Apostoloi tou Solaki, Drawings of wallings and of Kufic/pseudo-Kufic friezes. Further annotation in pencil survives.

Ground plan. The ground plan does not resemble that of Hagioi Asomatoi as it is written in pencil in the top right-hand corner of the drawing.

Plan of the crypt (left) - Ground plan of the naos (right). The drawing is entitled in ink:'Monastery of St Nicolas near Skripou Boeotia'. It is labelled in ink: 'Plan of Crypt' and 'Plan'.

Plan of the naos. This is a preliminary drawing. It is labelled in ink: 'Monastery Church of St Nicholas Scripou'. Further annotation in ink and pencil survives.

Plan of the crypt. This is a preliminary drawing. Further annotation in pencil survives.

Cross section (left) - Longitudinal section (right). The drawing is entitled in ink: 'Monastery of St Nicolas near Skripou Boeotia'. It is labelled in ink:'Section on Line A-A' and 'Section on Line B-B'.

Cross section. This is a preliminary drawing. It has been cancelled (crossed out).

Longitudinal section. This is a preliminary drawing. It has been cancelled (crossed out).Unfinished sketches in ink and pencil survive on the reverse.

Cross section. This is a preliminary drawing. It is labelled in ink:'Monastery Church of St Nicholas Scripou'. Further annotation in ink and pencil survives. Unfinished sketches in ink and pencil survive on the reverse.

Longitudinal section. This is a preliminary drawing. It is labelled in ink:'Monastery of St Nicholas Scripou'. Further annotation in ink and pencil survives.

Isometric section. The drawing is entitled in ink:'Monastery of St Nicolas near Skripou Boeotia'. It is labelled in ink:'An Isometrical View looking South-West'.

West elevation. The drawing is labelled in ink:'West Elevation'. Further annotation in pencil survives.

West elevation. This is a preliminary drawing. Further annotation in pencil survives.