View from south-east. The photograph is initialed in pencil in the lower right-hand corner 'W.H.'. Further annotation in pencil survives at the back of the photograph. See also photo no.: 02/11/11/01 (BRF no. 02/01/07/265).

View from north-east. The photograph is initialed in pencil in the upper right-hand corner 'W.H.'. Further annotation in pencil survives at the back of the photograph. See also photos nos.: 02/11/11/04 (BRF no. 02/01/07/268) and 02/11/12/01 (BRF no 02/01/07/269).

View from north-east. The photograph is initialed in pencil in the upper right-hand corner 'W.H.'. Further annotation in pencil and ink survives at the back of the photograph. See also photos nos.: 02/11/11/03 (BRF no. 02/01/07/267) and 02/11/12/01 (BRF no 02/01/07/269).

View from north-east. Further annotation in pencil survives at the back of the photograph. See also photos nos.: 02/11/11/03 (BRF no. 02/01/07/267) and 02/11/12/04 (BRF no 02/01/07/268).

View from north-east (upper part of the church). Further annotation in pencil survives at the back of the photograph. See also photo no.: 02/11/11/03 (BRF no. 02/01/07/271).

View from north-east (upper part of the church). Further annotation in pencil survives at the back of the photograph. See also photo no.: 02/11/11/02 (BRF no. 02/01/07/270).

View from the east. The photograph is labelled in white 'Iki Scherefee'. It is initialed in pencil in the upper right-hand corner 'W.H.'. Further annotation in pencil survives at the back of the photograph. See also photos nos.: 02/11/13/021 (BRF no. 02/01/07/273) and 02/11/13/02 (BRF no 02/01/07/274).

View from the east. Further annotation in pencil survives at the back of the photograph. See also photos nos.: 02/11/12/04 (BRF no. 02/01/07/272) and 02/11/13/02 (BRF no 02/01/07/274).

View from the east. Further annotation in pencil and ink survives at the back of the photograph. See also photos nos.: 02/11/12/04 (BRF no. 02/01/09/272) and 02/11/13/01 (BRF no 02/01/07/273).

View from the west. The photograph is labelled in white ink: 'Tchaoush Monastir'. It is initialed ('W.H') in the upper right-hand corner. Further annotation in pencil survives at the back of the photograph. See also photo no.: 02/11/13/04 (BRF no. 02/01/07/276).

View from the west. Further annotation in pencil and ink survives at the back of the photograph. See also photo no.: 02/11/13/03 (BRF no. 02/01/07/275)

Dome - The Pantokrator. This is a post-byzanine painting. The photograph is initialed: 'W.H' in the lower right-hand corner. Further annotation in pencil and ink survives at the back. See also photo no.: 02/11/14/02 (BRF no. 02/01/07/278)

Dome - The Pantokrator. This is a post-byzanine painting. The photograph is labelled in white ink: 'Tchaoush Monastir'. It is initialed ('W.H') in the lower right-hand corner. Further annotation in pencil survives at the back of the photograph. See also photo no.: 02/11/14/01 (BRF no. 02/01/07/277).

Modern (?) iconostasis. Further annotation in pencil and ink survives at the back of the photograph.

Genaral view of the walls and the towers from the east. This is a commercial photograph. Further annotation in pencil survives at the back of the photograph.

Angle tower on the acropolis. Further annotation in pencil survives at the back of the photograph. Commercial photograph possibly purchased by W.S. George

Lefkos Pyrgos (The White Tower), the landmark of the City of Thessalonike, was built in the 15th c. as a defence tower next to the coastline. For many years it served as a prison and/or a guardhouse. Currenty, it hosts a collection of Byzantine/post-Byzantine artefacts, mainly icons. This is a commercial photograph. Further annotation in pencil survives at the back of the photograph.

Ground plan. This is a preliminary drawing. Further annotation in ink and pencil survives. The drawing depicts half of the ground plan of the church. The other half is depicted in drawing no. 01/08/03/11/01 (BRF 01/01/07/05). W.S. George also worked on these drawings (1907-1909).

Ground plan. This is a preliminary drawing. Further annotation in pencil survives.

Dome - The Ascension (detail). The mosaic decoration in the dome is dated to the late 9th c. This is a preliminary drawing. Further annotation in pencil survives.

Transverse section. This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Longitudinal section showing some iconography in the dome and on one of the apses (3 Hebrew boys in fire?). This is a preliminary drawing in pencil with annotation. Original drawings by Schultz and Barnsley with later contributions by W.S. George (1907-1909)

Transverse section. This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Longitudinal section with walling. This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

North elevation (detail). This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

East elevation. This is a preliminary drawing. Further annotation in ink survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

East elevation. This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Details of the walling. This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Plan of the ambo (pulpit). This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Elevation of the ambo (pulpit). This is a preliminary drawing. Further annotation in pencil survives. W.S. George (1906-1915/1907-1909) contributed to the preliminary drawings of this church.

Part I of a 3 part panoramic view of the city from the minaret of Hagia Sophia. The photograph is initialed in pencil in the upper right-hand corner (SHB). It is stamped (Copyright Robert W.S. Weir & The Byzantine Research & Publication Fund). It is annotated in pencil in the upper left-hand corner (Salonika (W) from S. Sophia). The photograph has been removed from the BSA Study Collection.

Part II of a 3 part panoramic view of the city from the minaret of Hagia Sophia. The photograph is initialed in pencil in the upper right-hand corner (SHB). It is stamped (Copyright Robert W.S. Weir & The Byzantine Research & Publication Fund). It is annotated in pencil in the upper left-hand corner (Salonika (Centre) from S. Sophia). The photograph has been removed from the BSA Study Collection.

Part III of 3 part panoramic view of the city from the minaret of Hagia Sophia. The photograph is initialed in pencil in the upper right-hand corner (SHB). It is stamped (Copyright Robert W.S. Weir & The Byzantine Research & Publication Fund). It is annotated in pencil in the upper left-hand corner (Salonika (East) from S. Sophia). The photograph has been removed from the BSA Study Collection.