Ground plan and marble jambs. The drawing is numbered as follows: 'Attica : No 1'. It is entitled in pencil: 'Attica: Monastery - Church of Kaisariani'. Furher annotation in ink and pencil survives.

Ground plan. The drawing is entitled: 'Church at Kaesariani: Attica'.

Transverse section. The drawing is entitled: 'Church at Kaesariani' 'Transverse Section'.

Trasverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. They are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. The drawing is numbered as follows: 'Attica No 2'. It is entitled in pencil: 'Attica Monastery Church of Kaesariani'. A caption at the bottom reads: 'Church at Kaesariane'. Further annotation in ink and pencil survives.

Longitudinal section. The drawing is entitled: 'Church at Kaisariani: Attica', 'Longitudinal Section'.

Part of transverse section with iconography. The drawing depicts parts of the iconographic program in the dome and the holy bema. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. Further annotation in pencil survives.

Transverse section with iconography. The drawing depicts parts of the iconographic program in the naos and the narthex. The wall-paintings in the naos follow the standard Byzantine/post-Byzantine iconographic program/scheme of church decoration. In terms of iconography, they follow well-established 16th-century Cretan School prototypes.. In terms of style, they are rather conservative and date to the 18th century. Those of the narthex are less sophisticated with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. This is a preliminary drawing.

East elevation. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The drawing is entitled: 'Church at Kaesariani' 'East Elevation'.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is numbered as follows: 'Attica No 7'. It is captioned: 'North Elevation' and 'Church at Kaesariani'. Further annotation in ink survives.

North elevation. This side is the most elaborately decorated part of the monument. The north arm of the cross is emphasized by a single protruding arch forming a conch-headed recession. The drawing is entitled: 'Church at Kaesariani' 'The North Elevation'.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. The drawing is numbered as follows: 'Attica No -'. It is captioned: 'Church at Kaisariane'. Further annotation in pencil survives.

Ground plan with placement of iconography. The plan depicts the iconographic scheme of the naos and the narthex. This is a preliminary drawing. The word 'Kaisariani' appears in the right-hand corner.

East elevation (detail) - The bema window. Ornamental brickwork appears more emphatically on the east end and the north and south gables of the Kaisariani church. The Drawing depicts the bema window of the church. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The drawing is captioned as follows: 'Church at Caesariani'. Further annotation in pencil survives.

Bema window and closure slab. The drawing depicts the bema window of the church and a marble closure slab. The window is double of the so-called 'grouped-type': the whole window is embraced in a single arch within which the individual lights are arched separately. The tympanum filling is in curvilinear form: the tile-courses follow concentrically the curve of the subsidiary arches and the individual units are themselves curved. This is one of the best examples of the type. The slab is decorated with foliate and geometrical patterns. Further annotation in pencil survives.

The Tree of Jesse. The Tree of Jesse decorates the west wall of the Kaisariani narthex. The wall-paintings in this part of the church are less sophisticated than those of the naos with naïve/pictoresque details in the dense composistions. They date, according to a surviving inscription, to the 17th century. Made for John, 3rd Marquess of Bute by Gillieron and presented to the Fund by his son (see note in: BRF Corporate Records-List of BRF materials by RWS 1948).

View from the west (west façade). A note in pencil at the back of the photograph reads: 'Exterior from West' and 'Athens 2 Kaisariani'.

View from south-west. A note at the back of the photograph reads: 'Kaisariani, Attica'.

View from the east (east façade). A note at the back of the photograph reads: 'Athens Kaisariani' and 'Exterior from East'.

View from the east (east façade). A note at the back of the photograph reads: 'Kaisariani', 'Attica', 'East End'. Further annotaion in pencil survives.

View of the monastic buildings. A note at the back of the photograph reads: 'Kaisariani, Attica', 'Monastic Buildings'. Further annotaion in pencil survives.

View of the monastic buildings. A note at the back of the photograph reads: 'Kaisariani, Attica', 'Monastic Buildings'. Further annotaion in pencil survives.

The original description in the SPHS register reads: "Athens: Hymettos, Monastery of Kaisariané, church from SW".

The original description in the SPHS register reads: "Athens: Hymettos, Monastery of Kaisariané, court".

The original description in the SPHS register reads: "Monastery on Mt. Hymettus (Kaitariané)".

The original description in the SPHS register reads: "Attica: Byzantine. Monastery of Kesariani".

Taken by Professor Woodhead [William Dudley Woodhead, Professor of Greek/Classics at McGill University, Montreal, Canada].