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Ground plan. The drawing is signed in ink on the lower left, "Pieter Rodeck's work, L. Alma-Tadema" and annotated in pencil in the lower left-hand corner, "The Dormition of the Virgin, Skripou. Traced from the original drawing made on the spot, Sept. 1897." Further annotation in pencil survives.
Ground plan. This is a preliminary drawing. Further annotation in pencil survives.
Ground plan. This is a preliminary drawing. Futher annotation in pencil survives.
Ground plan. This is a preliminary drawing. Futher annotation in pencil survives.
Longitudinal section. This is a preliminary drawing. It is signed in ink in the lower right-hand corner in ink "Pieter Rodeck's work. L. Alma-Tadema" (possibly the Dutch Painter who was Rodeck's uncle) . Annotation in pencil in the upper left-hand corner, "The Dormition of the Virgin Skripou, Greece. Measured and drawn on the spot Sept. 1897" (possible written by Rodeck). Further annotation in pencil survives.
Longitudinal section. This is a preliminary drawing. Futher annotation in pencil survives.
West elevation. This is a preliminary drawing in pencil. It is signed in ink (left centre), "Pieter Rodeck's work, L. Alma- Tadema" and annotated in pencil, "The Dormition of the Virgin Skripou, measured and drawn on the spot, Sept. 1897". Further annotation in pencil survives.
South elevation. This is a preliminary drawing in pencil. It is signed in ink, "Pieter Rodeck's work" in upper right hand (probably also by L. Alma- Tadema) and dated in pencil in the upper left-hand corner, "The Dormition of the Virgin, Skripou, Greece. Measured and drawn on the spot Sept. 1897." Further annotation in pencil survives.
East elevation. This is a preliminary drawing in pencil. It is signed in ink in the upper right corner, "Pieter Rodeck's work - L. Alma-Tadema" and annotated in pencil in the upper left-hand, "The Dormition of the Virgin, Skripou, Greece. Measured and drawn on the spot Sept. 1897." . Further annotation in pencil survives.
West elevation. This is a preliminary drawing. It has been left unfinished.
Plan of the dome (on top) - Longitudinal section (middle row on the left) - Ground plan (middle row on the right) - Various mouldings (lower row on the left) - Cross section (lower row on the right). This is a preliminary drawing in pencil. It is annotated in pencil on the upper left-hand corner, "St. Sostes, Skripou, Greece. measured and drawin on the spot, October 1897" and signed in ink in the lower right-hand corner, "Pieter Rodeck's work L. Alma-Tadema". Further annotation in pencil survives. The church is referred to as 'Hagios Sostes'.
East elevation (on the left) - South elevation (on the right). This is a preliminary drawing in pencil. It is annotated in pencil on the upper left-hand corner, "S. Sostes, Skripou, Greece. measured and drawn on the spot, Oct. 1897" and signed in ink in the lower right-hand corner, "Pieter Rodeck's work, L. Alma- Tadema". Further annotation in pencil survives. The church is referred to as 'Hagios Sostes'.
Upper row: South elevation (on the left) - East elevation (on the right), Middle row: Longitudinal ection (on the left) - Cross section (on the right) - Lower row: Ground plan (on the left) - Dome plan (on the right). Further annotation in pencil survives. The church is referred to as 'Hagios Sostes'.
Upper row: South elevation (on the left) - East elevation (on the right), Middle Row: Longitudinal section (on the left) - Cross section (on the right) - Lower row: Ground plan (on the left) - Dome plan (on the right). This is a preliminary drawing. Further annotation in pencil survives. The church is referred to as 'Hagios Sostes'.
View from the west. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View from north-west. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View from the east. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View from the north. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View of the interior (north transept?).. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View from south-east. Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View of the interior (south transept?). Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
View of the interior (dome-east end). Further annotation in pencil survives at the back of the photograph. Copyright through Soteriou
Marble slab built into the waling over gateway. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Sculptures built into the walling. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Sculpture built into the walling. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Sculpture built into the walling. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Sculpture built into the walling. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Fragment of cornice from the dome. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Impost capitals (west window). The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Projecting supports (north side). The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Projecting supports (north side-underside) The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Apse cornices. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Apse cornices. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Lower external string course. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Eaves of parabemata. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Interior cornices. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.
Interior cornices. The photograph is signed in pencil ( 'S.H.B') in the upper right-hand corner. Further annotation in pencil survives at the back.