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Plan. This is a preliminary drawing. It is annotated in pencil and crayon.
Two attached chapels on the east side - Part of elevation. This is a preliminary drawing. It is annotated in pencil and crayon.
Longitudinal section with iconography. This is a preliminary drawing. It is annotated in pencil and crayon.
Part of east elevation. This is a preliminary drawing. It is annotated in crayon.
South elevation. This is a preliminary drawing. It is annotated in pencil.
East elevation. This is a preliminary drawing. It is annotated in pencil.
Refectory - elevation. This is a preliminary drawing. It is dated (1890) in pencil on the top. Further annotation in pencil and crayon survives.
Refectory - elevation. This is a preliminary drawing.
Refectory - parts of plans. This is a preliminary drawing. It is dated (1890) in pencil on the top. Further annotation in pencil survives.
Rubbing - Detail of carved slab?. The rubbing is annotated ('Theotokos Mistras') on the reverse.
Relief of Christ. The photograph is annotated in pencil on the back.
South elevation. This is a preliminary drawing. It is annotated in pencil and crayon. The unfinished sketch of a plan of the church survives on the reverse.
Parts of sculpture. This is a preliminary drawing. It is dated (1890) in pencil in upper left-hand corner.
The original description in the SPHS register reads: "Mistra: Peribleptos monastery, exterior".
The original description in the SPHS register reads: "Mistra: Peribleptos monastery: interior, detail of iconostasis".
Upper part: Longitudinal section - Lower part: Plan of Lower church (left), Plan of Upper church (right). The drawing is entitled in pencil: 'Mistras, Monastery of the Peribleptos'. It is labelled in ink: 'Section Looking North', 'A Plan of the Lower Church', ' A Plan of the Upper Church'. It Further annotation in pencil survives.
Parts of sculpture from a Pantokrator niche. This is a preliminary drawing. It is annotated in pencil.
Elevation and two plans of the refectory. The drawing is entitled in pencil. It was exhibited in the 1936 Royal Academy Exhibition as panel 495 in the catalogue