69 results

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Vlachernae Palace[BRF/01/02/01/001], Vlachernae Palace, May-10 [BRF/01/02/01/001], Vlachernae Palace, May-10

Plan of the Vlachernae quarter with three sections. The drawing is labelled and dated in pencil: 'The Blachernae Quarter', 'May 1910'. Further annotation in pencil survives.

Vlachernae Palace[BRF/01/02/01/002], Vlachernae Palace, 1909/1910? [BRF/01/02/01/002], Vlachernae Palace, 1909/1910?

Plan. This is a preliminary drawing. It is entitled in pencil:'Bal Mum Khane Blachernae Constantinople'.

Vlachernae Palace[BRF/01/02/01/003], Vlachernae Palace, 1909/1910? [BRF/01/02/01/003], Vlachernae Palace, 1909/1910?

Sections - Elevations (Internal). This is a preliminary drawing. It is entitled in pencil: 'Bal Mum Khane Blachernae Constantinople'.

Christ Pantokrator Monastery[BRF/01/02/01/004], Christ Pantokrator Monastery, May 1910? [BRF/01/02/01/004], Christ Pantokrator Monastery, May 1910?

Sketch (left bottom) and watercolour (right upper corner) of the churches. The drawing is labelled in pencil: 'The Monastery of the Pantokrator and Water Aqueduck, Constantinople'. Created by George, W. S.?

Mone tes Choras[BRF/01/02/01/010], Mone tes Choras, June 1888 [BRF/01/02/01/010], Mone tes Choras, June 1888

Marble revetment (wall leading to narthex). The drawing is entitled in pencil: 'Church of the Chora Constantinople - Detail of Marble Wall Lining to Narthex'. It is initialed (RWS) and dated in the lower right-hand corner. Further annotation in pencil survives.

Mone tes Choras[BRF/01/02/01/007], Mone tes Choras, 1905-1909 [BRF/01/02/01/007], Mone tes Choras, 1905-1909

Plan. The drawing is a photographic copy of a printed original. It is entitled in pencil: 'The Mone tes Choras Constantinople - Restored Plan'. It is annotated in pencil.

Mone tes Choras[BRF/01/02/01/008], Mone tes Choras, 26/06/1888 [BRF/01/02/01/008], Mone tes Choras, 26/06/1888

Marble revetment (narthex). The drawing is labelled and dated in pencil in the lower left-hand corner.

Mone tes Choras[BRF/01/02/01/009], Mone tes Choras, June 1888 [BRF/01/02/01/009], Mone tes Choras, June 1888

Marble revetment (narthex). The drawing is entitled in pencil: 'Church of the Chora Constantinople - End of Narthex'. It is initialed (RWS) and dated in the lower right-hand corner. Further annotation in pencil survives.

Mone tes Choras[BRF/01/02/01/011], Mone tes Choras, June 1888 [BRF/01/02/01/011], Mone tes Choras, June 1888

Marble revetment (narthex). The drawing is entitled in pencil: 'Church of the Chora Constantinople - Detail of Marble Wall Lining to Narthex'. It is initialed (RWS) and dated in the lower right-hand corner. Further annotation in pencil survives.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/014], Hagios Ioannis ton Stoudiou, 1909/1910? [BRF/01/02/01/014], Hagios Ioannis ton Stoudiou, 1909/1910?

West elevation - Details. This is a preliminary drawing. It is annotated in ink.The drawing is a copy.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/015], Hagios Ioannis ton Stoudiou, 1909/1910? [BRF/01/02/01/015], Hagios Ioannis ton Stoudiou, 1909/1910?

Windows and Mouldings. This is a preliminary drawing. It is annotated in ink.The drawing is a copy.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/018], Hagios Ioannis ton Stoudiou, 1909/1910? [BRF/01/02/01/018], Hagios Ioannis ton Stoudiou, 1909/1910?

Longitudinal section (upper part) - Elevation (lower part). This is a preliminary drawing. It is annotated in pencil.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/020], Hagios Ioannis ton Stoudiou, 1906 [BRF/01/02/01/020], Hagios Ioannis ton Stoudiou, 1906

Plan. The drawing is entitled in ink: 'S. John the Baptest of the Stoudion'. It is initaled (RT) and dated in ink in the lower right-hand corner. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/021], Hagios Ioannis ton Stoudiou, 1909/1910? [BRF/01/02/01/021], Hagios Ioannis ton Stoudiou, 1909/1910?

Longitudinal section. The drawing is entitled in ink: 'S. John of the Stoudion'. It is signed (W.S.George) in ink in the lower right-hand corner. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/022], Hagios Ioannis ton Stoudiou, 1906/1907? and 1909/1910? [BRF/01/02/01/022], Hagios Ioannis ton Stoudiou, 1906/1907? and 1909/1910?

Upper part by R. Traquair: Narthex elevation - Lower part by W. S. George: Longitudinal section (western part of nave), Half cross-section looking west. The drawing is entitled in ink: 'S. John of the Stoudion'. It is signed (R. Traquair and W.S. George) in ink. It is labelled in ink: 'Elevation of the Narthex' and ' Lognitudinal Section of Western Portion of Nave (restored) Half Cross Section Looking West (restored)'. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/023], Hagios Ioannis ton Stoudiou, 1909/1910 [BRF/01/02/01/023], Hagios Ioannis ton Stoudiou, 1909/1910

Cross sections looking east (upper part) and west (lower part). The drawing is entitled in ink: 'S. John of the Stoudion'. It is signed (W.S. George) in ink in the lower right-hand corner. It is entitled in ink: 'Cross Section looking East' 'Cross Section looking West'. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/024], Hagios Ioannis ton Stoudiou, 1907 [BRF/01/02/01/024], Hagios Ioannis ton Stoudiou, 1907

Elevation and section of suggested restoration. The drawing is labelled in ink: 'Suggetsed Restoration'. It is initialed and dated in ink (RT) in the lower right-hand corner. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/025], Hagios Ioannis ton Stoudiou, 1906/07? [BRF/01/02/01/025], Hagios Ioannis ton Stoudiou, 1906/07?

Plans and sections of architectural members (Details). The drawing is labelled in ink: 'Details of Narthex Colonnade The Doors and Windows'. It is annotated in ink.

Hagios Ioannis ton Stoudiou[BRF/01/02/01/026], Hagios Ioannis ton Stoudiou, 1907 [BRF/01/02/01/026], Hagios Ioannis ton Stoudiou, 1907

Plans and sections of architectural members (details). The drawing is labelled in ink: 'S. John of the Studion Details of Doors From drawings by A.E. Henderson'. It is initialed and dated in ink (RT) in the lower right-hand corner. It is annotated in ink.

Hagia Sophia[BRF/01/02/01/033], Hagia Sophia, 1910/11? [BRF/01/02/01/033], Hagia Sophia, 1910/11?

Plan of the main church (ground and gallery level). Created by George, W. S.?

Hagia Sophia[BRF/01/02/01/034], Hagia Sophia, 1910/11? [BRF/01/02/01/034], Hagia Sophia, 1910/11?

Plan of the main church (ground and gallery level). Created by George, W. S.?

Hagia Sophia[BRF/01/02/01/035], Hagia Sophia, 1910/11? [BRF/01/02/01/035], Hagia Sophia, 1910/11?

Part of elevation. This is a preliminary drawing. It is annotated in pencil. Created by George, W. S.?

Hagios Andreas en te Krisei[BRF/01/02/01/027], Hagios Andreas en te Krisei, 1906/7? [BRF/01/02/01/027], Hagios Andreas en te Krisei, 1906/7?

Plan (restored). This is a printed copy of an original drawing. It is enitiled in pencil: 'S. Andrew in Kriseis Constantinople - Restored Plan'. It is annotated in ink.

Monastery of Constantine Lips (north Church)[BRF/01/02/01/028], Monastery of Constantine Lips (north Church), 1906/7? [BRF/01/02/01/028], Monastery of Constantine Lips (north Church), 1906/7?

Plan (restored). This is a printed version of an original drawing. It is entitled in pencil: 'S. Mary Panachrantos Constantinople - Restored Plan'. It is annotated in ink. A preliminary sketch of the church in pencil survives to the right.

Hagioi Sergios and Bakchos[BRF/01/02/01/029], Hagioi Sergios and Bakchos [BRF/01/02/01/029], Hagioi Sergios and Bakchos

Half plan and a section. This is a preliminary drawing. The unfinished sketches of parts of a church in pencil survive at the bottom.

Hagia Theodosia (Gul Camii)[BRF/01/02/01/031], Hagia Theodosia (Gul Camii), 1906 [BRF/01/02/01/031], Hagia Theodosia (Gul Camii), 1906

Plan. This is a printed version of an original drawing.It is entitled in ink: 'S Theodosia'. Ii is initialed (RT) and dated in the lower right-hand corner.

Hagia Sophia[BRF/02/02/01/018], Hagia Sophia, 1935-1938 [BRF/02/02/01/018], Hagia Sophia, 1935-1938

Head of son Alexius (south gallery- east end)- John II Komnenus and Irene panel. The photograph is stamped at the back with information concerning reproduction rights.

Hagia Theodosia[BRF/02/02/01/020], Hagia Theodosia, 1870-1880 [BRF/02/02/01/020], Hagia Theodosia, 1870-1880

South-west view. This is a commercial photo. The photograph was found along with 7 more by the same creator/artist inside a copy of 'A Letter to the Right Honourable Lord Aldenham upon the subject of a Byzantine Evangelion' by Edwin Freshfield.

Hagia Theodosia[BRF/02/02/01/021], Hagia Theodosia, 1870-1880 [BRF/02/02/01/021], Hagia Theodosia, 1870-1880

View of the east end. This is a commercial photo. The photograph was found along with 7 more by the same creator/artist inside a copy of 'A Letter to the Right Honourable Lord Aldenham upon the subject of a Byzantine Evangelion' by Edwin Freshfield.

Hagia Theodosia[BRF/02/02/01/022], Hagia Theodosia [BRF/02/02/01/022], Hagia Theodosia

Ground plan ((left part) - Longitudinal section (right part). Creator unknown

Landwalls[BRF/02/02/01/023], Landwalls, ca. 1913 [BRF/02/02/01/023], Landwalls, ca. 1913

View near Yedi-kule looking south. This is a commercial photograph. Created by Burrows, R. M.?

Cistern ?(of Bonus?)[BRF/02/02/01/029], Cistern ?(of Bonus?), 1870-1880 [BRF/02/02/01/029], Cistern ?(of Bonus?), 1870-1880

View of interior columns. This is a commercial photo. The photograph was found along with 7 more by the same creator/artist inside a copy of 'A Letter to the Right Honourable Lord Aldenham upon the subject of a Byzantine Evangelion' by Edwin Freshfield.

Column of the GotH.S.[BRF/02/02/01/028], Column of the GotH.S., 1870-1880 [BRF/02/02/01/028], Column of the GotH.S., 1870-1880

Distant view. This is a commercial photo. The photograph was found along with 7 more by the same creator/artist inside a copy of 'A Letter to the Right Honourable Lord Aldenham upon the subject of a Byzantine Evangelion' by Edwin Freshfield.

Monastery of the Lips[BRF/02/02/01/019], Monastery of the Lips, 1880-1890 [BRF/02/02/01/019], Monastery of the Lips, 1880-1890

Close view of the exterior. This is a commercial photograph. The photograph was found along with 7 more by the same creator/artist inside a copy of 'A Letter to the Right Honourable Lord Aldenham upon the subject of a Byzantine Evangelion' by Edwin Freshfield.