FIELDWORK Attica Central and Western Greece Cycladic Islands Dodecanese and North Aegean Islands Epirus Ionian Islands Macedonia and Thrace Multisite and outside Greece Peloponnese
Aphyssou Tsakona Project 1989-1991 Ayios Stephanos Excavation 1959-1963 Ayios Stephanos Excavation Project 1973-1977 Evrotas Valley Geoarchaeological Survey 1999 Isthmia Excavation 1932-1933 Kenchreai Quarry Landscapes 2013-2016 Kouphovouno Project 1999-2006 Kyparissia Excavation 1893 Laconia Excavations 1905 Laconia Rural Site Survey 1993-1994 Laconia Survey 1983-1988 Laconia Topography 1904-1909 Laconia Topography: Architectural Survey 1905-1909 Laconia Topography: Field Survey 1904-1909 Late Roman and Byzantine use of the Theatre Space Project Mamousia Excavation 1951 Megalopolis Excavation 1890-1893 Megalopolis Survey 1981-1983 Monemvasia Survey 1991-1996 Mycenae Excavation 1920-1923 Mycenae Excavation 1939 Mycenae Excavation 1950-1955 Mycenae Excavation 1959-1969 Mycenae study seasons Mycenae Survey 1991-1993 Pavlopetri Underwater Survey 1968 Peneios Valley Project 1967-1969 Perachora Building Survey 1964-1966 Perachora Excavation 1930-1939 Perachora Excavation 1982 Perachora Lake Vouliagmeni Excavation 1972 Perachora Stoa Excavation 1963 Perachora Waterworks Excavation 1972 Sparta Basilica Project 2000-2001 Sparta Excavation 1906-1910 Sparta Excavation 1924-1927 Sparta Geomorphological Survey 1996 Sparta Menelaion Excavation 1973-1980 Sparta Museum Catalogue 1904 Sparta Rescue Excavations 1949 Sparta Roman Stoa Excavation 1989-1991 Sparta Sanctuaries Project Sparta Theatre Excavation 1992-1998 The Menelaion project The Pavlopetri Underwater Archaeological Project 2009-2011 Topographic Survey of Arcadia-Laconia 1892-1893
Thessaly

Late Roman and Byzantine use of the Theatre Space Project study season 2000

Assessment and Analysis: Study season

The team processed the pottery from the Sparta Theatre excavations of 1997 and 1998. Analysis showed that the Late Hellenistic period was characterised by what appears to be the last stage in the black glaze tradition, namely a range of small bowls and dishes made from coarseware fabrics with a thin, dull, and patchy black glaze. The earliest local red slip wares were found in the same forms and fabrics and were presumably manufactured in the same workshops. Excavations conducted by the Ephoria have produced evidence for local production of Megarian bowls extending into the 1st century BC. Imports in the Early-Mid Imperial periods were mainly from the Eastern Mediterranean and include Eastern Sigillata A, Eastern Sigillata B, and Candarli Ware. Italian imports comprising one fifth of the total included Italian Sigillata (Arretine) Ware and Thin Walled Ware. Local copies of TWW were also recorded. The Mid-Imperial period, being the main period of the Theatre's use, was poorly represented. The exception comprised contexts associated with the construction of the Nymphaem. Fine ware from a context underlymg the construction suggests a terminus post quem of the early second century. The majority of the pottery came from the Late Roman period and is associated with the destruction and abandonment of the stage building. Substantial quantities of imports were found including some African Red Slip C but with the vast majority being African Red Slip D, suggesting deposition in the last quarter of the fourth century or very early fifth century. Local imitations of African wares some with forms and motifs very similar to African originals were produced, tentatively identified as Spartan Sigillata by P. Roberts. Late Roman imports from NW Turkey include cooking pots and bowls with distinctive fabric and forms which, according to Dr J. Hayes, are not common in Athens or Corinth. They are, however, common on the Adriatic coast of Italy. This and the fact that Red Painted Ware is virtually absent from Corinth and Athens, but the most common table ware in southern Italy from the mid-fourth century, may suggest that Sparta through Gytheion was linked to trade routes from Turkey and Constantinople to the rich and strategically important cities of the Adriatic (Ravenna, Durres; Otranto, Butrint). Finally, initial analysis of unpublished comparanda from the Malavasos property (excavated by Eleni Zavvou) and the Groubos property (excavated by Stella Raftopoulou) in Sparta, confirms that the matenal from the Theatre provides a comprehensive type series.

Active in 2000.